I have a couple that have are lacy
In the introduction, Dyer says he was inspired by the curator John Szarkowski's 2000 book on Eugne Atget, in which each of 100 photographs was matched with a miniature essay revealing a pertinent bit about the artist and the changing times through which he lived. Atget, whose life straddled the 19th and 20th centuries, documented France's shift from a rural economy to an urban one. Winogrand, who was born in 1928, a year after Atget died, captured the fallout from the midcentury American moment those few decades, from the 1950s on, when placid middle class prosperity started to give way to something less affluent, more fragmented and harder to define. On the first day of class, most women are excited, but there are some who begin to think they've just…